N\u00eb muajin maj, n\u00eb Drenas u ngjit n\u00eb sken\u00eb p\u00ebr her\u00eb t\u00eb par\u00eb nj\u00eb shfaqje q\u00eb ishte thirrje p\u00ebr nd\u00ebrgjegj\u00ebsim dhe reflektim shoq\u00ebror. \u201cK\u00ebmisha e Liris\u00eb\u201d, nj\u00eb prodhim i Qendr\u00ebs p\u00ebr Promovimin e t\u00eb Drejtave t\u00eb Grave (QPDG), nisi turneun e saj me nj\u00eb mesazh t\u00eb fuqish\u00ebm, q\u00eb p\u00ebrkrahja shp\u00ebton jet\u00eb. <\/p>\n\n\n\n
E shkruar nga dramaturgu Arian Krasniqi dhe interpretuar nga aktoret e mir\u00ebnjohura Safete Rogova, Kumrije Hoxha dhe Igballe Qena, shfaqja trajton me ndjeshm\u00ebri e realiz\u00ebm nj\u00eb tem\u00eb sa t\u00eb dhimbshme, aq edhe t\u00eb r\u00ebnd\u00ebsishme \u2013 dhun\u00ebn n\u00eb familje dhe m\u00ebnyrat se si shoq\u00ebria mund (dhe duhet) t\u00eb reagoj\u00eb. <\/p>\n\n\n\n
Pas Drenasit, turneu vazhdoi n\u00eb Mitrovic\u00eb, Rahovec, Dragash e Gjakov\u00eb, nd\u00ebrsa gjat\u00eb qershorit, publiku pati mund\u00ebsi ta ndjek\u00eb n\u00eb Podujev\u00eb, Lipjan dhe Prishtin\u00eb.<\/p>\n\n\n\n
Dhe ky \u00ebsht\u00eb vet\u00ebm fillimi, pasi \u00ebsht\u00eb planifikuar q\u00eb shfaqja t\u00eb sillet edhe n\u00eb qytete t\u00eb tjera gjat\u00eb vitit, n\u00eb bashk\u00ebpunim me organizata lokale dhe komunitetin. P\u00ebr shembull, gjat\u00eb muajit shtator shfaqja do t\u00eb jet\u00eb n\u00eb Klin\u00eb dhe n\u00eb Obiliq. <\/p>\n\n\n\n
Tri gra \u2013 tri histori q\u00eb pasqyrojn\u00eb realitetin <\/p>\n\n\n\n
N\u00eb qend\u00ebr t\u00eb shfaqjes jan\u00eb tri gra \u2013 secila p\u00ebrfaq\u00ebsuese e nj\u00eb z\u00ebri t\u00eb zakonsh\u00ebm n\u00eb komunitetet tona: <\/p>\n\n\n\n
N\u00ebna (Safete Rogova) \u2013 nj\u00eb figur\u00eb e p\u00ebrkrahjes dhe kurajos. Ajo p\u00ebrfaq\u00ebson prindin q\u00eb zgjedh t\u00eb mos hesht\u00eb, q\u00eb i jep vajz\u00ebs guximin p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb jet\u00eb pa frik\u00eb, larg dhun\u00ebs. <\/p>\n\n\n\n
Vjehrra (Kumrije Hoxha) \u2013 nj\u00eb z\u00eb q\u00eb nis si kritik, q\u00eb faj\u00ebson viktim\u00ebn, por q\u00eb kalon n\u00ebp\u00ebr nj\u00eb udh\u00ebtim reflektimi dhe ndryshimi. K\u00ebrkimi i faljes ndaj nuses \u00ebsht\u00eb nj\u00eb moment kulmor q\u00eb shp\u00ebrfaq fuqin\u00eb e transformimit personal. <\/p>\n\n\n\n
Fqinja (Igballe Qena) \u2013 nj\u00eb psikologe dhe nd\u00ebrmjet\u00ebsuese, q\u00eb sjell n\u00eb sken\u00eb rolin e komunitetit. Ajo fton publikun t\u00eb mos jet\u00eb pasiv, duke theksuar se dhuna nuk \u00ebsht\u00eb problem privat, por shoq\u00ebror, q\u00eb k\u00ebrkon veprim dhe raportim. <\/p>\n\n\n\n
M\u00eb shum\u00eb se nj\u00eb shfaqje \u2013 nj\u00eb platform\u00eb p\u00ebr nd\u00ebrgjegj\u00ebsim <\/p>\n\n\n\n
\u201cK\u00ebmisha e Liris\u00eb\u201d \u00ebsht\u00eb nj\u00eb reflektim i fuqish\u00ebm p\u00ebr m\u00ebnyr\u00ebn se si trajtojm\u00eb viktimat e dhun\u00ebs dhe r\u00ebnd\u00ebsin\u00eb e mb\u00ebshtetjes emocionale dhe profesionale \u2013 ve\u00e7an\u00ebrisht n\u00eb trajtimin e traum\u00ebs dhe sh\u00ebndetit mendor, nj\u00eb tem\u00eb q\u00eb shpesh mbetet n\u00ebn hije n\u00eb diskursin publik. <\/p>\n\n\n\n
Shfaqja \u00ebsht\u00eb nj\u00eb thirrje p\u00ebr dialog, p\u00ebr nd\u00ebrhyrje kur dhuna ndodh pran\u00eb nesh \u2013 dhe p\u00ebr ta kthyer p\u00ebrkrahjen n\u00eb norm\u00eb shoq\u00ebrore, jo p\u00ebrjashtim. <\/p>\n","protected":false},"excerpt":{"rendered":"
N\u00eb muajin maj, n\u00eb Drenas u ngjit n\u00eb sken\u00eb p\u00ebr her\u00eb t\u00eb par\u00eb nj\u00eb shfaqje q\u00eb ishte thirrje p\u00ebr nd\u00ebrgjegj\u00ebsim dhe reflektim shoq\u00ebror. \u201cK\u00ebmisha e Liris\u00eb\u201d, nj\u00eb prodhim i Qendr\u00ebs p\u00ebr Promovimin e t\u00eb Drejtave t\u00eb Grave (QPDG), nisi turneun e saj me nj\u00eb mesazh t\u00eb fuqish\u00ebm, q\u00eb p\u00ebrkrahja shp\u00ebton jet\u00eb. E shkruar nga dramaturgu […]<\/p>\n","protected":false},"author":4,"featured_media":3365237,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[58],"tags":[],"class_list":["post-3365236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lajme"],"acf":[],"_links":{"self":[{"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/posts\/3365236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/comments?post=3365236"}],"version-history":[{"count":2,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/posts\/3365236\/revisions"}],"predecessor-version":[{"id":3365250,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/posts\/3365236\/revisions\/3365250"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/media\/3365237"}],"wp:attachment":[{"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/media?parent=3365236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/categories?post=3365236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/womensnetwork.org\/sq\/wp-json\/wp\/v2\/tags?post=3365236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}